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Showing posts with label Nostell. Show all posts
Showing posts with label Nostell. Show all posts

Saturday, 18 May 2019

Paper marbling


At Nostell, in collaboration with The Hepworth Wakefield, there was a demonstration of paper marbling techniques by the artist Giles Round's Obelisk Marbling team. They were taking inspiration from the beautifully marbled paper that Thomas Chippendale used to line drawers in his furniture, and the endpapers of some of the precious books in the library.  

The process involves a bath of carrageen seaweed, a thick gluey substance, which is then delicately splattered with pigments. The surface is often combed or dragged to produce swirling effects.  A sheet of paper is laid on top to pick up the pigments and then lifted out to dry. Each sheet is unique. The bath is cleaned between each page, by soaking up the remaining pigment with newspaper before starting again. It was quite time-consuming but the young lady demonstrating it when I visited seemed to be enjoying the creative process. 



Friday, 17 May 2019

Inside Nostell

The State Dining Room, designed by James Paine
Sitting room lined with tapestries
Bedroom with tester bed, most likely designed by James Paine
The interior of Nostell Priory is jam-packed with fine architectural details, priceless furniture and objects, utterly breath-taking. Of particular interest is the plasterwork, crafted by two generations of the Rose family of plasterers: Rococo designs by James Paine and later the Neo-Classical designs made famous by Robert Adam.

Plaster ceiling by James Paine in the State Bedroom.

Plasterwork in the Top Hall by Robert Adam

Robert Adam ceiling in the Top Hall
It is likely that Robert Adam introduced the Winns to Thomas Chippendale, a Yorkshireman (born in Otley) who made his name as a furniture maker and designer, largely by producing the innovative "The Gentleman and Cabinet-Makers Director", a luxurious catalogue of furniture designs. With this judicious advertising and by making connections to some of the wealthy elite, he became one of the most celebrated furniture makers Britain has ever produced - a kind of 'Shakespeare' of the furniture world. He not only supplied individual items but designed whole room schemes. His relationship with the Winns was not always straightforward and there were arguments over unpaid bills and unfinished work. When Rowland Winn was killed in a coach accident in 1785, Chippendale was left with huge unpaid fees.

Nostell is home to some of Chippendale's best pieces and last year (2018), being the 300th anniversary of his birth, there was a special exhibition exploring his life, work and relationship with Nostell.

Chippendale cabinet


Thursday, 16 May 2019

Nostell Priory


I've just returned from a holiday, so I need a few days to sort out my photos. In the meantime, I've just realised that I never shared any photos of one of the expeditions I made last autumn, to Nostell Priory near Wakefield. I'll remedy that now. It gives us an excuse to enjoy those lovely autumn colours, so different from the current bright spring shades.

Nostell, a Georgian mansion built between 1727 and 1785, was the home of the Winn family, who had originally made their money from the London textile trade in Tudor times and then added to it by investment in property and land. They bought the Nostell estate in 1654. By the 18th century, as a high status family and now with a knighthood, they wanted to replace the original house with a new one that would demonstrate (and increase) their status and wealth. Over two generations, they employed James Paine (who was only 19 when he began the work) to create an imposing and fashionable Palladian mansion, and craftsmen like Robert Adam and Thomas Chippendale to create and furnish the interior. Waning family fortunes and early deaths meant the project was never completely finished, until the discovery of ironstone and coal on the family's various estates revived their wealth. By the late 19th century, Nostell was finally fulfilling the grand vision for which it had been conceived. It was given to the National Trust in 1953 and is hailed as one of the great houses of the North of England.

There is plenty to explore inside the house and also a huge estate of gardens, lakes and parkland for visitors to enjoy.